The Portuguese star follows in the steps of his arch-rival, Barcelona forward and Argentina star Lionel Messi, who was found guilty of the same offence last year, although the sums involved were smaller.Madrid’s public prosecutors accuse Ronaldo of having taken “advantage of a company structure created in 2010 to hide income generated in Spain from his image rights from tax authorities”.They say this was a “voluntary and conscious breach of his fiscal obligations in Spain”.Prosecutors accuse the four-time world player of the year of evading tax via a shell company based in the British Virgin Islands and another in Ireland, known for low corporate tax rates.In addition, they say the Real Madrid striker only declared 11.5 million euros of Spanish-related income from 2011 to 2014, while what he really earned during that time was close to 43 million euros.And finally, they accuse him of “voluntarily” refusing to include 28.4 million euros in income linked to the sale of his image rights for the 2015 to 2020 period to a Spanish company.– ‘Conscience is clear’ –Ronaldo has defended himself, saying his “conscience is clear”.But the allegations still took their toll, and the man with the “CR7” brand, Real’s all-time top goalscorer, threatened to leave Spain over the affair, giving supporters a fright.He has since hinted he will stay on, telling Spanish sports daily Marca that he would like to continue to win trophies for Real.Ronaldo is not the only footballer to fall foul of authorities in Spain, which is only just recovering from a damaging economic crisis that saw countless people lose their jobs and inequalities rise.Messi was sentenced to a 21-month jail sentence and 2.09-million-euro fine last year for tax fraud.His prison sentence has since been replaced by another fine of 252,000 euros, which corresponds to 400 euros for each day of jail.Barcelona’s Argentine defender Javier Mascherano, meanwhile, agreed a one-year suspended sentence with authorities for tax fraud last year.Brazil star Neymar, another Barcelona forward, and his parents are also due to stand trial for alleged corruption over his transfer from Santos in 2013.– Super-agent Mendes –Real have not been spared either.Apart from Ronaldo, former player Angel di Maria, Portuguese defender Fabio Coentrao and Jose Mourinho, who coached the club from 2009 to 2013, have all been accused of tax fraud.All are clients of super-agent Jorge Mendes, who was also questioned and put under official investigation last month by a Spanish court investigating alleged tax evasion by Monaco striker Radamel Falcao, another footballer in his stable.Mendes defended himself, telling the closed door hearing that he “never” advised players in tax matters.Where Ronaldo is concerned, Mendes’s company Gestifute has denied any “fiscal set-up” and said “the player didn’t hide anything”.But if he were put on trial and found guilty, Ronaldo risks “a fine of at least 28 million” euros and could potentially be jailed for three-and-a-half years, the Gestha union of experts at Spain’s Inland Revenue has said.Since extending his contract last November until 2021, Ronaldo is the highest paid sports star in the world with $93 million (80 million euros) earned in 2016-2017, according to Forbes.0Shares0000(Visited 1 times, 1 visits today) 0Shares0000Portugal and Real Madrid star Cristiano Ronaldo is expected to appear in court in Spain on Monday, accused of evading millions in taxes © AFP/File / Roman KruchininMADRID, Spain, Jul 29 – Cristiano Ronaldo faces a brutal return to Madrid before starting pre-season training with Real Madrid as he is expected in court on Monday, accused of evading millions in taxes.The 32-year-old — the world’s highest paid athlete according to Forbes magazine — will be questioned by a court in Pozuelo de Alarcon, a wealthy suburb of Madrid where he lives, over allegations he evaded 14.7 million euros ($17.2 million) in tax.
Harry Redknapp is interested in Millwall midfielder Liam Trotter, the Daily Mirror say.It comes after the QPR manager went to watch a recent game at Millwall, where R’s striker Rob Hulse is currently on loan.Trotter did not feature in the match because of a knee injury, but it is claimed that Redknapp plans another trip to watch him and hopes the player could help Championship-bound Rangers get back to the Premier League.Fulham, Southampton and Norwich are also said to be keen on Trotter, who is apparently rated at £2m.This page is regularly updated.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 Follow West London Sport on TwitterFind us on Facebook
Kelebogile Boikanyo and Aubrey Lodewyk play the parts of lovers Musetta the singer and Marcello the painter in Opera Africa’s production of La Bohème. (Image: Opera Africa) Sandra and Hein de Villiers’s passion for opera has led them to mortgage their house to fund a production – not once, but twice.Sandra is the CEO of Opera Africa, the company she started in 1994 “with the vision of fostering new audiences for opera that were previously excluded from enjoying this genre, and to promote talented young soloists and choristers”. Hein has been Opera Africa’s artistic director since 1995. Like his wife, he brought with him a distinguished track record from more than two decades in music education, as both teacher and administrator.Together with a band of similarly committed individuals – and, of course, some extremely talented performers, directors and visual artists – the pair have been the driving force behind staging a host of operas in South Africa over the last 15 years, including such favourites as Carmen, Faust, La Traviata and Aida.The name of the company is usefully ambiguous; inserting different prepositions between the words “Opera” and “Africa” gives you some idea of both its ambitions and successes. For starters, there is the slightly contentious question of opera in Africa – does a Eurocentric high-art form such as opera have a place in post-apartheid South Africa?Well, yes. First, there are musical and aesthetic strong affinities between opera and South Africa’s well-established choral tradition. Second, in an era of unprecedented globalisation and migration of cultures, there is little value in essentialising what it means to be “African” or “European”.A fine example of such hybridisation is, in fact, Opera Africa’s Princess Magogo – the first full opera sung entirely in isiZulu. First staged in 2000, this is an opera about Africa, depicting the life and times of one of the Usuthu-Buthelezi dynasty’s most famous daughters, herself a renowned composer and singer, with a score by Mzilikazi Khumalo and libretto by Themba Msimang.Princess Magogo and the company’s other productions have appeared across South Africa, in major urban centres as well as in more remote rural areas – opera for Africa, one might say. But they have also toured internationally, in cities as far afield as Chicago, Amsterdam and Oslo, demonstrating that there is such a thing as opera from Africa.Opera Africa’s latest enterprise is La Bohème, which will run at the State Theatre in Pretoria in March 2010 before moving to the Joburg Theatre Complex in Johannesburg in April. (The company has established a good working relationship with these two major Gauteng theatres since relocating from Durban six years ago.)La Bohème is, after Madama Butterfly, the most popular work by Italian composer Giacomo Puccini. Based on Henri Murger’s novel, Scenes from Bohemia, the opera is set in 19th-century Paris and centres on the love affair between Mimi, a seamstress, and Rodolfo, a poet.Over the course of its 110-year performance history, La Bohème has contributed substantially to the modern archetype of the poor artist, struggling in a freezing garret to create immortal works of art but also finding ways to indulge in bouts of hedonism. This archetype has had more recent manifestations in, for instance, the Broadway musical Rent or Baz Luhrman’s film Moulin Rouge.The themes of poverty and illness have obvious echoes in contemporary South African society. While previous Opera Africa productions have foregrounded such similarities by presenting “African” settings, however, the artistic team behind La Bohème have chosen not to do so here. Instead, the production will be “an exquisitely imagined period piece” taking for granted that the “universal and timeless themes” of Puccini’s opera will resonate with local audiences.Andrew Verster, who has worked with Opera Africa as set and costume designer on numerous occasions, will again weave his visual magic, and Themi Venturas, whose Opera Africa repertoire includes Princess Magogo and the 2007 Opera Extravaganza, will direct the stage action.Musically, the production promises to be of the highest standard. Conductor Timothy Myers, who has previously worked with orchestras in New York and London, will have the Johannesburg Philharmonic Orchestra under his baton. And the company has recruited a formidable group of divas and divos to give voice to the lead roles.Soprano Hanli Stapela, joining Opera Africa for the first time, brings an international reputation to her reprisal of Mimi’s tragic story. Tenor Stéfan Louw, who has likewise been widely acclaimed for his performances in previous productions of La Bohème, will portray the equally unfortunate Rodolfo.Two rising stars of the South African opera scene, Kelebogile Boikanyo and Aubrey Lodewyk – both products of the Tshwane University of Technology’s vocal arts programme – will sing the parts of Musetta and Marcello, the singer and painter whose tempestuous on-off relationship mirrors that of Mimi and Rodolfo. Otto Maidi completes a quintet of bohemian characters as Colline, the philosopher. Veteran bass Rouel Beukes will contribute his idiosyncratic combination of gravitas and levity to two roles: Benoit, Rodolfo’s landlord, and Alcindoro, the wealthy government minister who fancies Musetta.And it’s worth mentioning that the production is sponsored by the National Lottery Distribution Trust Fund – so Sandra and Hein won’t need to mortgage their house again.
Share Facebook Twitter Google + LinkedIn Pinterest Last week was the single best week for fieldwork of the 2019 growing season, according to Cheryl Turner, State Statistician, USDA NASS, Ohio Field Office. There were 4.5 days suitable for fieldwork for the week ending June 30. The week was the warmest week in the 2019 growing season and most areas saw their first 90 plus degree day this year. Farmers pushed themselves and their equipment hard to try and make up for time lost to an otherwise cold and very wet planting season. Through the whirlwind of activity, farmers were able to make progress on cutting an overly ripe first cutting of hay, plant soybeans at a fast pace, spray for weeds, and apply much needed fertilizer. Wheat harvest began in earnest for some growers in southern Ohio, while growers in northern Ohio readied themselves for the impending harvest. Wheat condition going into harvest was much worse than last year. Growers dealt with poor stands and downed-out spots. Corn planted last week was noted to be for silage and some farmers had abandoned hope for getting all of their corn for grain planted. Some earlier planted soybeans that were flooded out got replanted.Click here to read the full report.
Perhaps what’s most incredible about the forthcoming announcement, is not just the radical overhaul and course correction it represents for Nokia, but the speed with which it came about. Elop only took Nokia’s helm last fall – he moves fast, it seems.Also expected tomorrow is confirmation of the reports that Nokia will shake up its management structure, too, with the dismissal of several top executives: Mary T. McDowell, the executive in charge of Nokia’s mobile phones unit; Niklas Savander, the manager of the markets unit; Tero Ojanpera, the manager responsible for services and mobile solutions; and Chief Development Officer Kai Oistamo.Friday is shaping up to be an interesting day for mobile observers. Stay tuned. Nokia is expected to announce a new partnership with Microsoft at its annual Capital Markets Day tomorrow, according to several reports. Nokia CEO Stephen Elop, an outsider who arrived from Microsoft last year to take charge of the Finnish company, believes that a partnership between Nokia and another yet-to-be named player is Nokia’s best bet going forward.As big as Nokia is, it can’t afford to go it alone, Elop told the blog AllThingsD in an interview last week. But who is Nokia’s new partner? BusinessWeek says that Elop held talks with both Microsoft and Google on the matter. But now, all signs are pointing to Microsoft as the key to Nokia’s radical strategy shift.Nokia, Our Platform is Burning…. Despite the inability of former Nokia execs to grasp the fact that the mobile industry has changed since the time when Nokia was king, it has. Tomi Ahonen, a former Nokia exec turned consultant, claimed that Elop’s memorable “Burning Platform” memo to company employees was a hoax written by an American analyst.But it was not a hoax at all, according to a number of high-profile news sites, including Engadget and BBC News, who each independently verified the memo’s legitimacy with multiple sources. Instead, it represents the new thinking that Elop brings to the global brand – a frank, “tell it like it is” viewpoint that former Nokia employees like Ahonen can’t quite understand.“We poured gasoline on our own burning platform,” wrote Elop in the memo to employees. “I believe we have lacked accountability and leadership to align and direct the company through these disruptive times. We had a series of misses. We haven’t been delivering innovation fast enough. We’re not collaborating internally. Nokia, our platform is burning.”The signs that Nokia was on a downward trend have been there for some time, but perhaps it took an outsider like Elop to take action – action like canceling Nokia’s first MeeGo smartphone, for example. This week, it was reported that the company has ditched its plans to launch its first phone using the MeeGo operating system, the OS that emerged from a combination of Nokia’s Maemo and Intel’s Moblin OS’. MeeGo was going to be Nokia’s new flagship OS, the one it would use to compete with the Androids and iPhones of the smartphone world.Nokia has lost market share over the past few years to competitors like Apple and Google, the latter of which is now poised to compete with Nokia not only on the high-end smartphone front but also on low-end feature phones that have typically been Nokia’s bread-and-butter.Nokia Said to be Choosing MicrosoftAnd now, the world and the markets await news of Nokia’s comeback plan.According to a number of reports, that plan involves Microsoft. One of BusinessWeek‘s sources said that Nokia would prefer to have a partnership with a software company like Microsoft, rather than being yet another company that licenses Android software.Microsoft’s new Windows Phone 7 mobile operating system has been favorably reviewed by technology journalists, bloggers and analysts, but has not picked up significant market share as of yet. A Nokia partnership where the Microsoft’s software ran on Nokia hardware – traditionally one of Nokia’s strengths – would change that.A telling tweet from Google’s VP of Engineering, Vic Gundotra, appears to confirm this is the case. In a message that would appear cryptic to casual observers, Gundotra posted: “#feb11 “Two turkeys do not make an Eagle.” The date is referring to Nokia’s Capital Markets Day and the “turkeys” are clearly Google’s competitors in mobile: Nokia and Microsoft. Obviously, if Nokia had chosen Google, Gundotra wouldn’t be insulting the company in such a way. Related Posts Role of Mobile App Analytics In-App Engagement What it Takes to Build a Highly Secure FinTech … Why IoT Apps are Eating Device Interfaces sarah perez Tags:#mobile#news#NYT#web The Rise and Rise of Mobile Payment Technology