Just before retiring for the morning nap, we heard the faint throb of bass rumbling within the RV campgrounds. We stumbled upon the unthinkable, a mobile nightclub in full effect at 7am. I followed the sound of thunder, until we embarked upon the renegade Venus Tour Bus. What transpired played out like a dream; a crunkalogic surround-soundsystem thumping beneath the vessel, as the steeziest individuals on the festival grounds raged a bamboo dancefloor, outfitted with a stripper pole, crawling with beautiful bodies, all of whom strutted the sunrise up over the horizon. DJ Guidance was purveyor of the tectonic soundtrack, ushering in the haziest shade of morning beneath a warm California sun. In what might be my single favorite forward of the weekend, dude dropped Buju Banton’s “Champion” atop some brutal booms n’ claps, the natives were once again restless; and I had to tip my Kangol to Rich Cruz and the Venus Tour Bus crew, for they had heroically harvested the truly epic. Photography courtesy of Jacob AvanzatoGoing back to its embryonic 2005 incarnation, Symbiosis Gathering has evolved exponentially in scope, attendance, and celebration. Over fifteen thousand participants flocked to the picturesque Woodward Reserve in Oakdale, California to revel in a carnival of music, art, community and debauched fun. Surrounded by this breathtaking natural expanse, the people of Symbiosis became an afghan of electric and organic styles, this Mad Max reality born of an ancient tribe, with frenetic fireworks of unabashed artistic expression exploding into the stratosphere. Symbiosis marks the end of the long and winding summer festival season that, by the end of four days on the lake, almost forgets where it might have began.The beginning of the event could be described as a nightmare, with disorganized infrastructure, and entry lines up to ten hours, causing this writer and his team to miss a considerable amount of Thursday’s daytime activities. Getting things started has never been this event’s forte, but this year it seemed particularly difficult. That said, throwing an affair of this magnitude is an ambitious endeavor, and the producers should be commended for focusing on the art and the experience, even if it means a struggle to turn the engine over. Because once the motor started purring, this festival revealed itself to be an ensorcelled expedition deep into the annals of this counter-culture and its ceremony. The many tentacles of this musical community diaspora seemed to coalesce in a beautiful symmetry. Artists, builders, producers, movers, shakers and shamans from Bass Coast to Envision Festival and all points between, united the clans to erect and ignite this grandiose gathering.Like any “transformational” event worth its coconut oil, Symbiosis is so much more than the tunes. In addition to an eclectic, gargantuan musical menu, several hulking art installations from Burning Man reappeared on the sprawling festival grounds in stupendous grandeur, as well as art cars like The Front Porch, and baby dragon Hssiss, of Abraxas lineage. The marvelous music stages were galaxies all their own, massive displays of imagination and empirical execution. There was education, inspiration, and a more than a bit of indigenous appropriation strewn in any direction, the mark of Burner tradition was an indelible imprint. For the final year at Woodward, it was again the festival’s landscape that was the diamond in the rough, a choking dust and its desert environs combined with a freshwater lake to create a definitive juxtaposition, and beneath the illuminating moonlight and within jubilant sunwater could be found the apex in West Coast festivaling. There was anarchy, there was spirituality, psychedelic adventuring, and high-brow dialogues, all amidst some good, old fashioned rabble rousing. Symbiosis showed the world that it is among the best in arenas of revelry, celebration, and shenanigans.Outside of the music programming and big art, the jewels abound were innumerable and nearly impossible to catalogue. The Village was dedicated to progressive workshops and education, every Yoga practice imaginable, discussions on sustainability, community building, and pertinent global issues. With areas like The Hub, Nourishment Lab, The Parlor, Hacktivist Village, Movement Shala, Placemakers Teahouse, Elemental Altars, and Permaculture Plaza, the opportunity to level up was ubiquitous. Entire worlds of culture and participation were created and then enchanted. From Ayurvedic consultation to a vibroacoustic sound lounge, Cranialsacral Therapy to womb massage, The Village left nary a stepping stone unturned. We learned of “Music as Medicine of Our Time“, or about “Re-inhabiting the Village“, of “Conserving Biodiversity” or “Drugs, Sex, and Arachnids.” These type of offerings often prompt the use of the term “transformational” when discussing West Coast festival culture, much to the chagrin of Symbiosis organizers, yet this event offered myriad options for self-improvement, self-awareness, and there is no shame in the game of bettering one’s self, and our planet. It would be naive not to acknowledge the immense influence that Burning Man has on this so-called transformational festival culture. Both Lightning in a Bottle and Symbiosis Gathering espouse the ideas, ideals, values and ethos of That Thing in the Desert, but it is the latter, which normally takes place in the weeks after the Burn, that feels like the truest extension of Burner civilization. At Symbiosis, you bring your own food, booze and supplies en masse, self-reliance is crucial, especially given this disorganization and chaotic energy that permeated the event.As for the inevitable waste created at such a gathering, the idea is to pack it out – and leave the land as it were upon arrival. Sadly, like LIB, the Symbiosis massive let the garbage get away from them, and the grounds were often in disgusting conditions from the refuse that lay about. Too many people left too much behind, despite the fact that there was a sorting facility set up on the way out of the event. Many participants were disappointed in the disaffected approach some took to the “pack it out” directive. It goes to show that despite it’s best intentions, this community has a long ways to go as it pertains to “walkin’ it like they talkin’ it.” Saturday was bright and beautiful weather, with a breeze coursing through the dusty air. It was astonishing to take in all of the visual stimulation and art on display in the glorious sunshine. Among my favorite creators were The Wood Vibe Tribe, located at Silk Road, represented by Brad Rhadwood, and hailing from British Columbia. Their progressive form, called intarsia, uses reclaimed or salvaged wood to create paintings without using any ink, paint or stain. Android Jones‘ digital art galaxy dome hosted his transcendental project Samskara, which wowed folks with virtual reality and fractalizations that dwarf anything most of us had ever seen. But the most impressive works of art for this writer were the jaw-dropping music stages: headliner area The Fringe, created by Vita Motus, the floating Lighthouse on Atoll, by Drift Crew, and the astro-turfed dance rage Juke Lagoon by Dalabil. Sensational installations like The Luminescent by Hybycozo, and Empire of Love by Brent Allen Spears consistently stopped people in their tracks.Early Saturday afternoon, as rays glistened the scantily clad, we ventured down to The Other Stage, a different floating art-boat, while Bay Area producer on-the-rise Aabo delivered a tasty set of future sounds, before giving way to his pal, the enigmatic Lafa Taylor, who DJ’d a set of classic golden-era hip-hop joints. From there we did about as big of a 180* as possible and returned to Silk Road for the fantastic Fanna Fi Allah. The Sufi Qawwali devotional music was majestic at midday, the most authentically spiritual songcraft we encountered underneath the family tree.Random Rab is among the most revered and celebrated artists in this festival’s storied history, an integral part of its fabric and family; his Saturday sunset serenade at Swimbiosis was yet another scintillating journey for the ages. Pulling out classics like the now-elusive “The Reflections” while a goddess mermaid, naughty princess, and yoga empress pranced the stage; the sun raced over the horizon, and Rab delivered a mammoth set of mystical proportions, a harbinger of the magic by moon to come. At about 2am, he reappeared in the Family Circus tent, soundtracking the Vau de Vire performance troupe while they left jaws agape. Mr. Clinton blessed the dancers and the gawkers with “Transmissions from the Moon,” and a MOUR track satiated even the most jaded West Coast vets.As night fell on Saturday, globalized swashbucklers Delhi 2 Dublin went head to head with Rising Appalachia (who’s first engagement featured a choice sit-in from members of Dirtwire). At The Fringe, Perth, Australia’s post-trip hop autuer Ta-ku dropped an astonishing set, eschewing the traditional DJ setup for a live-band transmission system, a welcome respite from the norm. Regan Matthews built some of his set around the (m)edian EP, employing a sparse yet effective keyboardist, drummer, and vocalist; Ta-ku himself was no slouch on the singing either. After a brief-but-enthralling run of seminal Go-Go funk that played over the PA, Santigold took the stage in full regalia and surrounded by bumping live band. She came out of the gates with a fury, unleashing a riotious “Chasing Shadows” that was gurgling Bhangra-crunk, yet from there her satirical blend of indie-rock and model-shtick lost more than a few. Young NorCal lion CharlestheFirst was sizzling at Silk Road, and our krewe was forced to double-back for a few psychedelic, hip-hop inspired jams from this kid, who is now definitely on the vibrational radar.Oakland masked mavens Dimond Saints commandeered the Family Circus tent at the stroke of midnight, and what transpired was positively phantasmagorical. Continuing the development of their enrapturing live-instrumentation, in concert with the duo’s magnetizing, occultish, future-moon music, Releece and an-ten-nae cemented their meteoric ascent to the pantheon of avant-garde with a demonic ritual. Tuba, trombone, Sica drum, and haunting violin (courtesy of HÄANA) were lavish layers to the Prism in the Dark, embellishing the dark magus duet. Vocalist Yaarrohs, full time magician/part time panther, induced the spells in matrimonial white, coalescing with the stygian aura that hovers above the Saints. Later she returned sans bridal veil, and blessed the assembly with an impassioned “IDGAF.” This evening would be yet another dose of pure, unrivaled, intravenous sexy in what is quickly becoming the Dimond District tradition, and the Symbiosis dance-massive responded in biblical fashion.After the brief, secret Rab set blew our minds and infused our wearying souls, we mosied on back over to Silk Road for a rollicking live-band performance from Dirtwire. Beats Antique’s David Satori, Stellamara’s Evan Fraser have combined to deliver a fresh take on electro-folk, and the wild wild West never felt so much like home. The squad they assembled for this pair of performances at Symbiosis only furthered the buzz that has surrounded Dirtwire for the past couple of years, and we lapped up the gris-gris they served from the back porch of Americana’s future. At the stroke of 4am, there was only one game on our minds, and that was BOGL; the venerable Soundpieces bossman is among the most thorough and forward-thinking artists in bass music today. Despite the Funktion-One volume being turned down a bit in the circus tent, Griffin March will not lose, ever. Piling on heaping portions of high-falutin’ womp, the underground dance community showed and proved en masse, while BOGL put heads to bed with domineering authority.Bed? This posse was nowhere near ready to rest, and instead it would be British wizard-king OTT who would broadcast atypically over-the-top content to bring in the Silk Road morning. The jolly giant’s mix of psybient dub, ethnic electronica, and rotund, elastic grooves were squishy lily pads for the multitude of cosmonauts looking rest their wings. Still not satiated, at about 7am our now-swollen squadron again arrived at the infamous Venus Tour Bus, where Oaktown’s dread necromancer TreyZilla was conjuring up the renegade rage, as he’s guaranteed to do whenever he steps on the set. Putting nails in the Trap coffin, and banging it shut with galactivated rebar, Trey Martinez danced on the grave of what’s tired and played, and cracked a window open to new and alien galaxies. After glorious morning spent tip toeing in some Jordans, mad spunions running through the six with no woes, it finally dawned on me: Venus is life.Somehow, the dancehall gods delivered me to Swimbiosis minutes after high noon on Sunday; just in time for the rugged yardie sermons of Portland soundbwoy du jour, PRSN. Mixing bangin’ hip hop drums and samples with rudie swagger, at once something serious and sincere, Bryce Howell ushered in the final day of Symbiosis in proper hot-skull style. There was no shortage of strong music options on Sunday afternoon, no matter what your flavor palette or funky preference. Women ruled the roost at The Other Stage as HÄANA shared her Nordic femtronica elixirs, while Tara Brooks and Rachel Torro pumped the beach full of sweltering, divine deep house. The Fringe welcomed New French House phenomenon FKJ, who dripped his scrumptious juices all over the keyboards, saxophone, and electro drums, the silky smooth, luscious grooves went down the hatch. Next up on this main stage was A Hundred Waters, an eclectic band from Gainesville, Florida that combined organic and electronic elements for an ethereal sound, their vibe wrought with a tangible emotional quotient. The audience danced in a hushed reverence, as Nicole Miglis‘s charming flute melodies and saccharine vocals were spectacular.Late in the hottest afternoon of the festival, Rising Appalachia appeared in the circus tent, and it was at once revelation and revolution. Sisters Leah Song and Chloe Smith, and their trusted compadres Biko Casini and David Brown led the congregation on yet another Second Line parade through the filthiest and dirtiest of Southern hymns and harmonies. Anthony Flowers Ward crafted his usual kaleidoscopic visual accompaniment with a vast array of floral splendor, as flow artists and dancers atop aerial silks enraptured an awestruck audience. By the time Rising Appalachia had concluded a Bayou romp through the gospel traditional “I’ll Fly Away,” there was nary a dry eye in the circus. The closest thing to jamband vibes were found within the guitar-driven, rubber-band jams of OTT & the All-Seeing I, while over at Juke Lagoon, Gaslamp Killer was bringing a gritty and aggressive brand of psychedelic dance energy to a raging contingent of night owls.Among the most discussed headliners booked this year, FKA Twigs did not disappoint in her Sunday night slot. At times meticulously choreographed, others wild theatrics with reckless abandon, the vocalist, soothsayeress, and movement icon pranced around The Fringe stage with prismatic grace. Her music could be somber, plodding, and also electrifying and excitable. Almost as impressive as her musical art was the visual stimulation that dominated her performance. Meanwhile, at the Family Circus, another epochal artist was leading a veritable séance of sorts. The Desert Dwellers Live Experience was a prodigious display of spirituality through sound, song, synchronicity and emotion. Meditative, palpitating beats from Treavor Moontribe and Amani Friend were augmented by the breathtaking Marlowe Bassett (of Metamorphosis Ballet), HAANA, Tammy Firefly and Soul Fire, among other collaborators. The result was nothing short of spine-tingling, as many shared in a final dance shwirl to close out the festival.This krewe was in need of a soft landing, so we dragged a horde of blankets, pillows, and juicy vibes up to Silk Road. We chose to collapse in an enormous cuddle puddle, as the psychedelic soundscapes of Tropo, led by Tyson Leonard, assisted us in circling the runway. To bring it on home, Silk Road was blessed appropriately enough by Vir Jam, a vigorous, spiritualized world music session that employed the talents of Hamsa Lila frontman Vir McCoy and beloved Santos y Zurdo/Patterns bassist Luigi Jimenez. After a weekend spent swimming in a freshwater lakes of Funktion-One thump, it was only right to shut it down with an organic sound, and these boys brought it, from faraway funk-to-table by way of our hearts.And so comes to a close the 2016 West Coast festival season, another one for the history books, and apparently the music blogs, too. Symbiosis Gathering 2016, despite the hiccups and frustrations at the start, remains the stardog champion of this festival scene and culture. Clearly, the producers are not motivated by profit, but instead empowered by the epic, and for better or worse, it shows. It is abundantly clear that this community remains vibrant, and the event is still very relevant to the movement and its missions. We can only daydream as to what may happen next summer when Symbiosis pulls up stakes and hops a northbound train, all aboard for Oregon Eclipse 2017.Thank you Symbiosis Gathering. Your intent is our delight.words: B.Getzphotos: Jacob Avanzatovideos: Dan LaDue, Galactic Seabass, WRD Media, Dr. Bruce Damer, jJice Early in the evening, we ventured over to the Movement Shala, where the Boss-of-Bosses [Clever Alias] was holding court. From dubstep to the dancehall, Dan Laureano blessed up the masses with his bracketology, a potent and primordial blend, sending us off into the night with ample pep in our step. Headlining sets from Gramatik and Beats Antique at the magnificent The Fringe drew enormous crowds, and served to release the festival’s aready pent-up energies. Festival-wide, it was a clash of the titans, as Claude Von Stroke went head to head with Ivy Lab, before Atish hijacked the concupiscent whip with deep housequake into the night.Just before the clock struck midnight, Baltimore’s super heady spiritual gangster SOOHAN dropped a Silk Road set that will not soon be forgotten. Mashing up two decades of pop music culture atop a bombastic blend of 808s and ancient sounds, the rising star laced a libidinous dance session that sent the teaming masses into a maniacal tizzy. Morillo hit at Silk Road late Friday after 4am, and the charred remains of SOOHAN’s seismic slaying were still smoking. The Miami based producer soaked the people in drippy, glitchy, galloping movements, gurgling basslines beneath patios mantras and obscure samples, tribalizing riddims amidst snake-charming melodies. Anytime there is a new-agey, “transformational”, Burner-centric event, some comic relief is certainly in order; Symbiosis had no shortage of such hilarity, places like The Living Room were central to such shenanigans. Elsewhere, exploring the guru phenomenon with some tongue-in-cheek humor, JP Sears and Kumare had people in stitches with their convoluted yogi-isms and pseudo-spiritualized rhetoric. “Man-Tease”, a mobile stripping container, was Magic Mike on acid, brought to you by the folks who delivered Psychedelic Friendship Bingo in years passed. Fed up with the flat-earth nonsense? Dr. Bruce Damer hosted a panel discussion that belittled this silly scientific detour, a controversy that has prompted much derision and made for great guffaws aross the globe. Despite the plethora of non-music options at our fingertips, for the final festival of this season, I consciously broke from the usual modus operandi, and focused my experience almost solely on music and dancing, making space for human connection and conversation, but little else. Every so often I reminded myself to hydrate, and for nourishment, as we strategically planned naps as to maximize the opportunities to achieve dance Zen one last time this Indian summer bloom. I recognize that this reflection is in no way a complete rundown of this titanic event; instead, here is a small sampling of the music enjoyed at Symbiosis Gathering 2016: Family Tree.Thursday was a wash for a large portion of the festival, as many people were stuck in the snaking traffic lines for the entire day. With the music ending at midnight, we were lucky to catch a portion of world renowned deep house champions Bedouin at Silk Road, a real life anachronism built by the folks behind LIB’s The Grand Artique. In lieu of Frontierville, the creators manifested a Middle Eastern bazaar of sorts, with merchants serving tea, elixirs, and period specific art and aesthetics. Silk Road would be the site of several remarkable music performances over the course of the four days. From Bedouin’s pulsing Persian rumblings it was on to The Grotto for a set of primarily new music from an-ten-nae. The Oakland bass-boss delivered a series of slow, throbbing jams from his forthcoming solo album Medicine.Friday afternoon saw a Desert Hearts takeover at Swimbiosis, and it was a whirlwind wave of color, dance rage, and undeniable untz, as the entire crew of Mikey Lion, Lee Reynolds, Deep Jesus, Marbs, and Porkchop showed up; the mission was to move the crowd, and it appeared accomplished by day’s end. Imagine relentless, swanky deep house grooves, trippy Playa-tech jams, and some four-on-the-beach beatscience; this was a five hour tour of non-stop pulsating beats and beautiful people frolicking in the water, while an in-the-round stage incorporated a beach landscape and shady grove. All day everyday, the lakefront playground of Swimbiosis went off! Across the way, at the astonishing Atoll lighthouse art boat, British Columbia bass mistress The Librarian was setting things off, and for a moment, the floating stage had to be evacuated. The chaos was apparently due to Ms. Andrea Graham‘s ratio of bounce-to-the-ounce, which had the people going way too hard; this ancient lighthouse structure could not host such a level of rager. Thankfully, shortly thereafter, the boat got things (relatively) together; Andreilien took to the Atoll decks and delivered a hair-raising hour of boom-bap thump. Post-dubstep glitch buried in golden-era hip hop drums, evidence of an exciting new direction for this legend.
Load remaining images Photo: Brandon Weil Photo: Brandon Weil Photo: Brandon Weil Photo: Brandon Weil Photo: Brandon Weil Last Friday, on December 5th, Circles Around The Sun kicked off their 2018 tour with a sold-out performance at The Troubadour in Hollywood with support from Grateful Shred. Led by guitarist Neal Casal and featuring keyboardist Adam MacDougall, drummer Mark Levy, and bassist Dan Horne, CATS has earned a lot of praise since its inception in 2015, when they were commissioned to create the intermission music for the Grateful Dead’s 50th-anniversary Fare Thee Well celebration.EXCLUSIVE: Neal Casal Talks CRB, LSD, & The Future Of Circles Around The SunLive For Live Music had a writer scheduled to review the show, though he unexpectedly had to leave Circles Around The Sun’s performance early. However, despite not being able to stay for the whole night, the writer (who is choosing to remain anonymous) wanted to make sure he still sent us in some form of coverage. Thus, he’s sent us a collection of fourteen haikus that he feels encapsulates his experience at Circles Around The Sun’s and Grateful Shred‘s show-opener at the Troubadour. Enjoy. (You can also listen to full audio of the performance, courtesy of taper DMan, and check out a gallery of photos, courtesy of Brandon Weil, below.)[Audio: DMan]Grateful Shred my headPlaying tunes of old anewCaptured me tonightOh, what could they do?A lot, pleasantly we seeThis band knows its stuffSlip Knot to beginHelp On the Way satiatesAmazing FranklinGoing to the southBig River, weeping willowAlthea, we lovePlaying in the Band, Stephen prospered in his time, He’s a holy manPlaying for the lumpThe one that is on my headGrateful I am dead.And to close it outLoose Lucy is our delightThese guys were damn greatWhat to follow upCircles Around the Sun nextHow would they beginWest LA people Love West LA Fade Away New spin on this jam Fire on the mountainInspired the next dittyRosalie you fineThese guys love to jamGuitar, melodic to hearThe synth, en fugeoOld fashioned light show Psychedelic projectionsChris Kuroda proudAlthea came backThis time, a new lease on lifeMade it their own thingLet’s take it all inSo much to appreciate Fantastic eveningCircles Around The Sun | The Troubadour | Hollywood, CA | 1/5/2018 | Photo: Brandon Weil
In June of 2017, Bruce Springsteen announced an unprecedented Broadway legacy at the Walter Kerr Theatre, marking The Boss’s Broadway debut. Due to the overwhelming popularity of the pared-down one-man live show at the 975-person theater, today, Springsteen has extended this residency with 81 additional shows from July through December of 2018. This will mark the second extension of the on-going run—while the shows launched in mid-October of last year, the rock icon added another ten weeks to the residency in late November. By the end of this new string of dates, Springsteen will have performed 236 shows on Broadway as Springsteen on Broadway.Tickets for this new leg of Springsteen on Broadway will go on sale Wednesday, March 29th at 11 a.m. EST through Ticketmaster’s Verified Fan program. Fans who have previously registered but haven’t purchased tickets for the show will be invited to the sale and will receive further instruction on Monday, March 26th. However, fans can also purchase tickets through a Lucky Seat digital lottery after the initial on-sale.
GAZETTE: Do you get any pushback from other doctors?SALAS: There’s an increasing recognition of the connection between climate change and health, but oftentimes it’s viewed as just a public health issue that is separate from what health professionals do every day. The goal of the symposium is to show that it’s actually making it harder for us as clinicians to do our job, and there are things that we can do today — both in our clinical practice and at the level of the health care system — to improve the health of our patients and ensure that our health care systems will be resilient to climate change. This will allow us to provide care to our patients and communities at their time of greatest need. Meanwhile, we have to continue to push for the urgent, sweeping action addressing the root of the problem — reducing our greenhouse gas emissions, both in health care and on a global scale.GAZETTE: Who do you expect to be at this symposium? Is it just for doctors?SALAS: It’s vitally important that we engage the entire health community. This symposium is geared to those who provide care directly to patients, so, while it’s largely targeting doctors, nurses, midlevel providers, residents, medical students, and any other allied health professional can benefit. The goal is to engage those who are working clinically and the leaders who are creating and supporting their delivery of care. We can all add a climate lens to our practice and roles, to start to tease out how climate change is impacting our patients and our practice.We hope people will recognize that there are practical, tangible solutions that we can incorporate now that will improve patients’ health. For example, there are certain medications that cause patients to have an increased risk of heat-related illness. So if an individual is at high risk for heat exposure because, for example, they don’t have access to an air conditioner or they work outside during the summer, should they be changed to a different medication that has a lower risk profile? In addition, certain medications don’t work as well when left in extreme heat. I’ve seen estimates that a car interior can reach 140 to 170 degrees, which will only worsen with record heat. If you leave your albuterol inhaler in there, it may not work as well. We need to educate our patients so they keep them in a more temperature-controlled environment. Again, there’re a lot of items to weigh in these decisions and we need more research to truly understand what the risk-benefit ratios are. But we have to start having these discussions and getting the evidence we need to be informed. GAZETTE: Can you prescribe an air conditioner?SALAS: That’s a great question. A lot of communities subsidize heat, if people are unable to afford heat during the winter, because it’s felt to be a crucial necessity for survival. Now, as we face record heat known to have widespread health harms, I would argue that we must be ensuring access to cool environments — like providing air conditioners and subsidizing their use. First we need to have patient screening tools in place to identify who is at risk — like asking them if they have access to an air conditioner or the financial means to run it. There have been reported situations where people have been found dead in their homes, presumably from heat-related illness, without their air conditioners on. They likely couldn’t afford to turn them on. In addition, if the city loses power, what are the backup cooling plans? These issues are fundamentally related to health and thus something the medical community has to tackle.GAZETTE: Do you see this screening for climate effects transforming intake or discharge or occurring somewhere in the middle over the years to come?SALAS: A climate lens must be added to every aspect of our practice. Speaking as an emergency medicine physician, that includes everything from ambulance and triage protocols to the screening tools we use. It also impacts how we treat patients, the discharge instructions we provide, and the follow-up plans. Of course, these will vary depending on factors like the specialty, the time of year, and the relevant geographic exposures. Boston’s medical establishment is coming together to carry a message to area physicians and other health care workers: Climate change plays a role in many of the illnesses they see each day. A Feb. 13 symposium, “The Climate Crisis and Clinical Practice,” at Harvard Medical School (HMS) aims to help them anticipate those health effects to better treat and advise patients, and to discuss relevant issues with them when appropriate. The symposium is supported by HMS, area teaching hospitals, medical associations, and the New England Journal of Medicine. The Gazette spoke with organizer Renee Salas, an emergency physician, HMS assistant professor of emergency medicine, and climate change and health expert, about the need for the gathering.Q&ARenee SalasGAZETTE: How did you get interested in climate as part of your work? You’re an ER doc, which one would expect would focus your attention on what’s right in front of you, sometimes second by second. How did you get interested in climate, and when did you begin to think hard about the intersection of the two?SALAS: In October of 2013, I heard a lecture that framed climate change as the greatest public health emergency. I was starting a fellowship here at MGH, so I had gone through both medical school and residency, and I had heard nothing up to that point about how the climate crisis was impacting the health of my patients. I was blown away: How had I not learned about this before if it is having that large of an impact and was truly going to be making our jobs as doctors harder? It was a profound moment in my career and a fork in the road. I decided then and there that I was going to direct my career toward an academic focus on climate change and its impact on health and health care systems. I couldn’t imagine working on anything else. I decided to get a master’s of public health from the Harvard T.H. Chan School of Public Health, and I feel blessed to be able to work on my true passion.GAZETTE: Is climate change making things worse for patients who would be there anyway, or are there ER patients visiting who, without the changes already under way, wouldn’t be there in the first place?SALAS: As doctors, we want to have certainty — which can be elusive. If a patient is diagnosed with lung cancer as a 50-pack-a-year smoker, I can’t conclusively say that they have lung cancer because they smoked. There’s a chance that they would have had lung cancer even if they didn’t smoke. But I think, with our current understanding, we can clearly say that the two are linked. Patients present to my emergency department where it’s clear that different exposure pathways from climate change are harming their health and causing them to have difficulty managing certain conditions. And I do think that there are cases where they may not have even needed to visit an emergency department without an exposure, or combination of exposures, driven by the climate crisis. An example is that increased carbon dioxide in the atmosphere is causing longer pollen seasons and higher levels. I have seen patients during times of high pollen who are having enormous difficulties managing their lung diseases, like asthma or chronic obstructive pulmonary disease, what we call COPD.GAZETTE: Can you tell us about any cases you’ve seen?SALAS: I was working an overnight shift here at MGH, and a young girl came in for an asthma attack. It was her third visit in a week, and her mother, as you can understand, was just exasperated by this situation. After telling her that her daughter needed to be admitted to the hospital, we had a conversation about the connection between her daughter’s condition and the high pollen levels as well as things she could do to reduce her daughter’s exposure.GAZETTE: Can you describe other examples?SALAS: Heat stress is another important exposure. I saw a young, otherwise healthy construction worker with heatstroke a few years ago, and he represents the type of person often thought to be invincible to illness from climate change. This summer, in the middle of a record-breaking heat wave, I saw an elderly man who was living with his wife on the top floor of a lower-income building without any air conditioning. He came in with a core temperature of nearly 106 degrees Fahrenheit. His older age and lack of financial means placed him at increased risk. “There’s an increasing recognition of the connection between climate change and health, but oftentimes it’s viewed as just a public health issue that is separate from what health professionals do every day.” Mercury levels in fish are on the rise GAZETTE: Those issues seem fairly straightforward. Are there other, more hidden, ones?SALAS: Those are examples where the link to the climate crisis is clearer, but there are situations where climate change can be insidious in the way it is impacting the health of individuals and our health care systems. I often describe our current understanding of the health impacts of climate change as an iceberg — and I understand the irony of using that analogy. We see the health harms as the ice above the surface of the water, but there is a larger mass underneath, which represents the associations between the climate crisis and health that we have yet to discover. Recent papers show that rising temperature is associated with bacterial resistance to antibiotics and a higher incidence of congenital heart defects. As a doctor, that gets me thinking about what other impacts might be. These are the types of connections we need to learn more about, and there are new methods researchers are applying called “detection and attribution” to help us better understand just how much of a role climate change is playing.GAZETTE: Is it important that doctors not just recognize these things, but also talk to patients and advocate in some way?SALAS: I personally feel that my job as a doctor is to improve my patients’ health and prevent harm if I can. That is part of our Hippocratic oath. Our role is also to empower them to be able to take care of their own health and the health of their family. Because climate change impacts health through so many pathways, we can connect climate change to every patient in some way. Even healthy teenage athletes who have no other medical problems are going to be practicing in hotter and hotter temperatures and need to learn how to protect themselves from heat and recognize the signs of heat-related illness. It is my role to tell patients how climate change is impacting their health. That’s going to largely differ for every patient. How far you take it, whether you go all the way back to rising greenhouse gases, is going to vary depending on the patient’s desire to understand what leads to some of these downstream impacts on their health. But it’s important to begin the conversation with the direct health impacts on that patient.GAZETTE: Do you have a sense that this is the kind of thing that all clinicians are going to be faced with more of in the coming years? Will the connections become more and more apparent?SALAS: Yes. While I’m not a climate scientist, I read their assessments closely. And one trend I’ve seen is that often things seem to be happening faster than previously anticipated. So I am concerned that we are going to also be increasingly facing the associated rising health threats if we don’t have rapid and urgent action. I think that the chronic exposure pathways that we already understand well will be responsible for an increasing amount of health harms. Right now those harms have fallen largely on the vulnerable, like children, the elderly, those with chronic medical conditions, the poor, certain racial minorities. However, as the exposures intensify, more individuals will experience these impacts. Meanwhile, those who are already suffering disproportionately will only continue to experience more illness and death. As mentioned before, I also believe that there may be new health harms, either new things that will occur or connections that we’ll discover.GAZETTE: Do you see other ways climate change will affect our health care system?SALAS: Our health care systems will experience more challenges as they face further disruptions. For example, power outages can occur during heat waves because of increased energy requirements on grids from cooling devices like air conditioners, leaving hospitals on backup generators. There has already been evidence of supply-chain disruptions like the intravenous fluid shortage after Hurricane Maria. The hurricane, intensified from climate change, disrupted a factory that produced nearly half of the intravenous fluids. This led to widespread shortages that even affected my practice here at MGH. I was handing patients cans of Gatorade to rehydrate them instead of putting in an IV and giving fluids. If this can happen for essentially water in a bag, what else do we need to worry about? While early work has started, there is still very little understanding overall of where those future health care system vulnerabilities are. That is why our symposium also includes health care leaders because we first have to better understand the system problems before we can determine how to best address them. Those conversations also have to occur collectively — as health care institutions working together in a city — because we are all in this together. “I am concerned that we are going to also be increasingly facing the associated rising health threats if we don’t have rapid and urgent action.” Related Harvard faculty members consider the Oxford Dictionaries’ ‘word of the year’ As water temperatures increase, so does risk of exposure to toxic methylmercury What weighed on us in 2019? ‘Climate emergency’ Toll of climate change on workers I’m honored to work with my amazing co-directors — Drs. Caren Solomon and Aaron Bernstein — and a phenomenal planning team from the Harvard Global Health Institute and Harvard C-CHANGE to start this critical conversation. And this is just the beginning. Every major teaching hospital system within Boston is co-sponsoring this symposium and sending representatives. As our city is impacted by climate change, it’s not just affecting one institution, it’s affecting all of us. We’re stronger together and we need collective action to tackle this. That is one of the most inspiring parts of working on the climate crisis — watching it break down silos and bring people together in profound ways. Unprecedented challenges require unprecedented action.The Climate Crisis and Clinical Practice Symposium will be held from 1 to 5 p.m. on Feb 13 at the Joseph B. Martin Conference Center, 77 Avenue Louis Pasteur, Boston. For more information, visit the website.Interview was edited for clarity and length. Harvard economist says rise in number of very hot days will cut productivity and hike health risks, especially for many in blue-collar jobs
17SHARESShareShareSharePrintMailGooglePinterestDiggRedditStumbleuponDeliciousBufferTumblr Look among the top fears of Americans and you’ll find money-related nightmares, like always living paycheck to paycheck and falling into serious debt. These strong fears related to money — or more specifically, not having enough of it — stem from money’s role as a vital resource that provides stability and security.If thinking about money triggers a fear response in you, addressing those fears is key to healthy money management. GOBankingRates’ 2015 Life + Money Survey identified the top three most common money fears among Americans: always living paycheck to paycheck, living in debt forever and never being able to retire. Here’s how to overcome those fears.1. The Fear of Always Living Paycheck to PaycheckThe top money fear among Americans is always living paycheck to paycheck. One in five (20.2 percent) fear this financial outcome over other concerns like losing their jobs and having their identities stolen.Living paycheck to paycheck is an insecure and unsustainable pattern of financial management. If you’re consistently spending what you make, you have little left over as a buffer between yourself and the financial hardships of life. continue reading »
To stay afloat, cinema chains have been renegotiating deals with lenders and landlords and developing creative ways to generate revenue.Most major cinemas are now offering up cheaper private theater rentals as a way to entice in reluctant moviegoers. Others have transformed parking lots into concert venues, launched trivia nights and even negotiated deals with local colleges to rent out the space for in-person learning. Noam Galai | Getty Images Entertainment | Getty Images Movie theater chains got some good news on Monday morning — trial data indicated Pfizer and BioNTech’s Covid-19 vaccine is more than 90% effective.- Advertisement – The news sent AMC shares soaring as high as 80% in premarket trading before settling around a 50% gain after the opening bell. Cinemark shares were trading up about 52%, while Marcus Theatres and IMAX were gaining about 18% in early morning trading.The coronavirus pandemic has battered theaters since March, crunching their bottom lines and threatening to push chains big and small towards bankruptcy. As of the close on Friday, Cinemark shares were down 74%, AMC was down 66% and Marcus was down 75%.Last week, these movie theater chains reported third-quarter results, signaling yet another period of losses.- Advertisement – With movie theaters hauling in less than a quarter of the revenue they were generating last year, AMC and B&B Theatres, the sixth-largest cinema chain, have both warned of the possibility of bankruptcy. Studio Movie Grill, a Dallas-based dine-in theater chain, filed for Chapter 11 bankruptcy protection last month.The hope is that with a vaccine, Covid-19 cases will decrease substantially and audiences will be more willing to return to theaters. This, in turn, will give studios confidence to keep major film titles on the calendar. Without fresh content, moviegoers won’t return in droves.Still, a vaccine might not be widely available to the public until mid-2021. So, while the news is promising, it does not fix the near term issues that movie theaters are facing.- Advertisement – – Advertisement –
In addition to natural beauty and immense cultural heritage, all visitors looking for an active stay in nature are ready for 47 kilometers of educational hiking trails and 470 kilometers of cycling routes, which will surely be one of the main attractions. Krka National Park is reopened to visitors from Monday, May 11, at a promotional ticket price of 50 kuna for adults and 25 kuna for children and youth. “Visitors have at their disposal all presentation centers and facilities, souvenir shops as well as catering facilities at Roški slap and Lozovac, with the necessary respect for all epidemiological measures in force. Entry into the closed premises is allowed to a certain number of visitors at the same time, with prior disinfection of hands and soles with disinfectant that will be available at the very entrances to the closed premises of the Park.”Point out from the Krka National Park and add that the catering facilities will be opened in accordance with the recommendations of the Croatian Institute of Public Health. In order to make the Park more accessible primarily to domestic visitors, the ticket price in the promotional period is 50 kuna for adults and 25 kuna for children and youth from 7 to 18 years. The working hours of Skradinski Buk are from 9 am to 19 pm, and the locations on the middle and upper course are from 10 am to 18 pm. “When visiting the Krka National Park, visitors are invited to adhere to the recommendations of the Croatian Institute of Public Health as well as the use of protective gloves and masks and, if possible, contactless payment when buying tickets. conclude from NP Krka. After a break of almost two months, the Krka National Park on Monday, May 11, reopens its doors to individual visitors, who with promotional ticket prices in the period until June 18, 2020 will have the opportunity to discover the charms of Croatian natural and cultural heritage. NP “Krka”.
Advertisement Arsenal boss Unai Emery (Picture: Getty)He added: ‘I mean, they sold Van Dijk for £12m. So is he a better defender than Van Dijk? No. I would say that Celtic in the current market could probably get £20m.‘So my pitch would be £20m is a cracking deal for Celtic and it’s also a very good deal for Arsenal. That’s where I see the value.‘Kieran Tierney is a fabulous footballer, but he’s got a lot to learn defensively. That’s the issue in value.‘So I think if Celtic get £20m they’ll take it, and I think Arsenal will be relatively pleased with that.’More: FootballBruno Fernandes responds to Man Utd bust-up rumours with Ole Gunnar SolskjaerNew Manchester United signing Facundo Pellistri responds to Edinson Cavani praiseArsenal flop Denis Suarez delivers verdict on Thomas Partey and Lucas Torreira moves Arsenal are interested in signing Kieran Tierney from Celtic (Picture: Getty)Charlie Nicholas insists Celtic star Kieran Tierney would be a welcome addition at his former club Arsenal.The Gunners are keen to bolster their defensive options during the summer transfer window and Scotland international Tierney has emerged as a top target.Arsenal have already had one bid for the left back rejected but intend to test Celtic’s resolve with an improved offer in the coming weeks.Nicholas expected Tierney to remain at Celtic when the 2018-19 season ended but insists he would be an ‘improvement’ on Arsenal’s current options.ADVERTISEMENTMore: FootballRio Ferdinand urges Ole Gunnar Solskjaer to drop Manchester United starChelsea defender Fikayo Tomori reveals why he made U-turn over transfer deadline day moveMikel Arteta rates Thomas Partey’s chances of making his Arsenal debut vs Man City‘I thought Kieran Tierney would want to stay at Celtic,’ the Gunners hero told Sky Sports’ transfer podcast.AdvertisementAdvertisement‘He’s a die-hard Celtic fan, they’ve got eight in a row wrapped up, they want to go and do nine, and I thought if Kieran really wanted it, if he does nine then he’ll want to do 10 and get in the history books.‘But the stories I’m hearing here in Glasgow is that he might be keen to move on to the bigger league. That’s really what it’s about, a bigger league.‘Will it make him a better player? Probably. There is a question mark about his defensive frailties. But then again, he would be an improvement for Arsenal – there’s no doubt in my mind about that. Charlie Nicholas approves Arsenal’s £25m transfer move for Celtic star Kieran Tierney Comment Charlie Nicholas hopes the Scot joins Arsenal (Picture: Getty)‘He’s power. He’s got a lot of power. The greatest Celtic full-back I ever came across was Danny McGrain and he’s the closest we’ve ever had to him.‘Danny could play right-back and left-back, but Kieran is just one-footed, his left foot. He’s got real power, real pace going forward.‘And of course in Glasgow, in Scotland, in the SPFL, that’s domination. His final ball could be a bit better, but I think it has improved.’Nicholas also believes £20m would represent a fair deal for both Arsenal and Celtic. Metro Sport ReporterSaturday 29 Jun 2019 11:45 pmShare this article via facebookShare this article via twitterShare this article via messengerShare this with Share this article via emailShare this article via flipboardCopy link666Shares Advertisement
South Korea’s Daewoo Shipbuilding & Marine Engineering has received an order for a 174,000 cubic meter LNG carrier, the shipbuilder confirmed on May 14.Under the contract, received from an undisclosed Oceania shipowner, the vessel would be constructed at DSME’s Geoje Okpo shipyard.The shipyard is scheduled to deliver the LNG carrier, which is DSME’s fifth gas order this year, in the second half of 2021.So far in 2019, the Korean shipbuilding major secured an orderbook of 14 units with a value of USD 2.5 billion, representing 30% of its order target for this year.Apart from the five LNG carriers, the currents orderbook includes six crude oil carriers and three submarines.World Maritime News Staff
Stuff co.nz 23 September 2020Family First Comment: Why? Are the rights of the community to be protected considered in these decisions?Thirty-two people on the Child Sex Offender Register have been granted permission to change their names by the Police Commissioner in the four years since the register started.The register was created in October 2016 to improve child safety by having up-to-date information available on known child-sex offenders living in the community that can be used to monitor risk of reoffending.As at July 1 there were 2862 people on the register.The Act that created the register allows anyone on it to change their name provided they have been granted approval by the Police Commissioner.Information provided to Stuff under the Official Information Act reveals that 38 people on the register had requested approval to change their names since it started. Thirty-two had been approved, three declined and three were being assessed.This is an increase from May last year, at which point just 13 applications had been made, of which 12 had been approved.Police do not release the names of those on the list.Before granting approval the commissioner must consider five factors; the safety of the offender and other people, the offender’s rehabilitation or treatment, whether the new name could be used for unlawful purposes, whether the new name change was likely to frustrate the administration of the Act, and whether the new name would be offensive to a victim or the family of a deceased victim.READ MORE: https://www.stuff.co.nz/national/crime/300112945/thirtytwo-childsex-offenders-granted-permission-to-change-their-namesNeighbour concerned about child sex offender’s imminent release from prisonStuff co.nz 22 September 2020A convicted paedophile who shunned rehabilitation is set to return to Dunedin.A sentencing judge described Andrew Lee Gardner’s crimes ”alarming and concerning’’, and noted he was assessed as having an above average risk of sexual offending.It is understood Gardner, after a brief stint in prison, is set to return to Dunedin.No-one was at his home, which is near several schools, on Tuesday afternoon.READ MORE: https://www.stuff.co.nz/national/crime/122844758/neighbour-concerned-about-child-sex-offenders-imminent-release-from-prison